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It’s easy enough to play with mic placement on your guitar amp, but it’s not always practical, especially if you record by yourself. This video highlights the main miking positions, and how each affects the guitar’s tone.

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For a sales video, this “recording guitar” primer from Presonus is surprisingly effective, especially if you struggle to get a usable tone from acoustic or electric guitar:

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This collection of home recording studio pictures might give you some ideas for your own space. Or cause drool-inducing envy.

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Butch Vig discusses mixing Smells Like Teen Spirit, and Cobain with his “vocal cords … starting to come right out of his throat.”

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As an amateur recording engineer, you’ll likely run into the name Recorderman when learning how to mic a drum kit. Recorderman’s approach to placing overhead drum microphones is recommended for beginners because it’s easy to set up, and yields good, sometimes great, results in practically every situation. The name “Recorderman” comes from a user on […]

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Here, Mark and Howard from The Turtles educate us on dealing with a record label: Now, aren’t you glad you’re an independent artist?

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These two videos (15 minutes in total) are excerpted from a fascinating documentary about the recording studios in London during the 1960s, including Decca and Abbey Road. Most of us take multi-track recording for granted. But as noted in the video, until the early 1960’s “musicians had to be note perfect” once the tape rolled. […]

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I re-watched the Wilco documentary, I Am Trying To Break Your Heart last night, and I’d forgotten how good it is. If you’re a Wilco fan, of course it’s required viewing. But even if you don’t like or are unfamiliar with the band, the indie artist and producer in you will find I Am Trying […]

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Here, Stevie Wonder takes us through the recording of I Wish. This is a behind-the-scenes look at the creative process (and on a much grander scale than my experience with Gert.) However, it also illustrates the importance of talent in a creating a great record. The lesson for amateur producers: Capture a top-notch performance, and […]

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I mentioned Charles Dye in the post on using distortion for better mixes. Dye turned his Hard Disk Life series of articles into a (highly touted) video tutorial called Mix It Like A Record. Here’s a clip from the video, with Dye discussing his use of channel-strip emulators, which add distortion, to achieve a more […]

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Here’s a tutorial on grabbing your own samples, and building a beat in Acid:

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In the age of DAWs and firepods and CD burners, it’s easy to forget how good we have it:

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