You are currently browsing articles tagged psychoacoustics.
The easiest way to move a track “back” in a mix is to lower its volume. This works because in our everyday lives, sounds get quieter as they recede from us, so we’re accustomed to the effect. But our brains also use other cues to determine distance. For example, human hearing excels at matching a […]
Read the full post ...Tags: delay, hearing, psychoacoustics, reverb
In Mix It Like A Record, Charles Dye recommends several methods of checking a mix for mono compatibility. The simplest: Put a finger in one of your ears! There may be slightly more to it, however. Lifehacker recently featured a list of body hacks, and it included this great tip about using our ears: If […]
Read the full post ...Tags: hearing, mixing, psychoacoustics
Habituation is the name for our tendency to respond less to something the more we’re exposed to it. While the concept is academically important to psychologists and biologists, it also has enormous significance for anyone serious about mixing or mastering music. We likely come by this tendency through evolution. Our hunter-gatherer ancestors relied on habituation […]
Read the full post ...Tags: mixing, psychoacoustics, reference-cd
